MESA, Arizona -- April 29, 2024 -- Todd Alan Fredson, Ph.D., Mesa Community College English faculty, was a finalist for the 2023 National Book Critics Circle Barrios Book in Translation Prize for Zakwato & Loglêdou’s Peril. The book is a translation of two collections by Azo Vauguy, a Bété poet whose homeland is in West Africa. Vauguy wrote poetry and for several periodicals, focusing on politics and cultural affairs.
This is Fredson’s fifth translation of a poetry collection. Although he did not receive the top award at the ceremony held in New York City in March, it is a prestigious honor to be a finalist in what is considered one of the top three awards in literary translation.
For those interested in translation work, knowing multiple languages is, of course, important. But Fredson emphasizes that translation work extends beyond knowing any given language, noting there is always another way that an idea could have been given shape in language. He adds that working with multiple languages in mind maintains an agile thought process, which has all sorts of implications for our emotional lives.
“Perhaps, as far as translating goes,” said Fredson, “even more important than knowing another language is understanding the cultures that the author you are translating is working within. AI might be producing complex linguistic translations soon, but it will lack the cultural familiarity of human exchange and relationships. I translate poetry out of West Africa because I have had experiences living there that allow me to deeply understand the history, landscape and imaginations that the authors there are creating from. I lived for two years in a village without running water or electricity, as a civil war was starting. And I lived in a city in Côte d’Ivoire years later, Abidjan, a four million-person city with a rich international life full of economic and religious and cultural differences. I am able to understand the fullness of the language, of the words and all those little things regarding tone and texture and allusion.”
Fredson offers this final advice for aspiring literary translators, “Aside from a language and cultural familiarity, I think another crucial aspect for making nuanced translations is simply having a committed writing life oneself. That I am a poet before I am a translator is what gives me insight into the poetry that I translate. I would say that there is a beautiful reciprocity here, too: I have learned at least as much about writing poetry by translating it as I have from any other sources -- from my graduate studies, for instance. I think anyone interested in being a creative writer should seriously engage with translation as part of their training.”
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Media contact: Dawn Zimmer, dawn.zimmer@mesacc.edu or 480-461-7892
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